![]() The only difference is that instead of the desired color being set to Screen in the foreground, the variable image frame is now set to Screen in the foreground, with the frame containing the desired color in the fill. It is also possible to incorporate a technique outlined in another article that uses GREP styles to change the color of a background to CMYK values that were entered into the data file. With this method, you can colorize images according to specific words in the database. It is also possible to incorporate the technique outlined in my earlier article on using GREP styles to change the color of a background. If I navigate to the fourth record, I can see that all images that had the channels applied to them from the Bridge action will behave in the same way. The image underneath the frame will now adopt the process color of the desired swatch.įrom here, the colored frame can be extended to the same size as the image frame to complete the effect. With the frame selected, go to the Effects panel and assign the Screen blend mode. Note that the updated grayscale image is now quite dark.ĭraw a new frame over the image with the desired color swatch. Luckily, these tasks can be saved as an action, and then run from Adobe Bridge on all files that require the change.īack in InDesign, go to the Data Merge panel and update the source file. You’ll have to repeat this process for each image in the database that needs to be swapped. Repeat this for Yellow and Black so that all channels now have the same image in each channel. Then use Photoshop’s Paste in Place (Cmd+Shift+V/Ctrl+Shift+V) to paste the image into the Cyan channel.Ĭlick on the word Magenta in the Magenta channel and then once again use Paste in Place to paste the image into the Magenta channel. Once the mode is changed, go to the Channels panel and click on the Cyan channel. Once selected, cut the image so that the canvas becomes white. To illustrate the technique, let’s start by changing this JPG picture of a pizza by opening it in Photoshop and selecting the entire image in the gray channel. In this article, I’ll outline what I call the “Process Method.” The Process Method These methods will require adjustments to the images using Photoshop. However, I’ve discovered some new methods to apply colorization to variable grayscale images. Worse, if I navigate back to the previous record, the colorization is lost and the image has returned to grayscale. I’d like to colorize it with a particular swatch, and it is possible to change this single image by going to the Swatches panel and changing the fill to the appropriate swatch.Īt this point, it looks like the swatch is applied, but if I navigate to the next record, the next image is still grayscale. Hopefully, someone out there has a solution or maybe I'm not fully understanding the previous methods I mentioned.One issue that has plagued Data Merge users since the feature first appeared in InDesign is the inability to colorize variable grayscale or line art images during a merge.įor example, look at this image field in a data merge. The script method seems reasonable, but I plan to share this file with others and don't want to deal with sharing a script in addition to the file. GREP seems like a lot of work to only have it setup to a particular character count. However, for proofing reasons I'm trying to use the multiple records feature my content is properly appearing as a grid on the pages but the background/pattern remain in the center of the page. I've looked around and everything I've seen refers to the GREP style method or using a script. Using InDesign I've placed two objects (the background color and brown pattern) and have several placeholders I'm using with the data merge feature. I'm hoping to get each piece of data to auto-scale to the max width of the text frame. I know there are methods like using the width of the longest data line to set up the Data Merge, but then all my data is constricted to that one font size. I'm currently trying to set up a file that uses Data Merge and some of the data is longer than the rest and gets cut off. I know there is the GREP style and scripting, but I'm trying to avoid that and just use the functions that InDesign provides. I am wondering how to auto-scale text to fit within an exact text frame size.
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